The singer’s Grammys looks paid homage to greats like Tina Turner and Cher.
On February 4, Miley Cyrus took to the 2024 Grammys stage to perform her award-winning song, “Flowers.” The tune, from her 2023 album Endless Summer Vacation, is a certified bop; an anthem for independent people everywhere who are embracing themselves and saying they don’t need a partner to have fun — they can do that all on their own.
Watching Cyrus, who’d taken home her first Grammy (!) earlier that night, rocking a silver 2002 vintage Bob Mackie dress from the designers “To Broadway With Love” collection with her hair teased to the gods, it was hard not to feel like we were witnessing the birth of a star — or in this case, a new certified diva.
Cyrus’ latest looks, along with her musical evolution, have cemented the singer as a diva-in-training, following in the footsteps of legends like Tina Turner (a fellow Bob Mackie fan) and Cher. When it comes to her ability to reinvent herself, she is arguably this generation’s Madonna. And yes, Ariana Grande and Lady Gaga should be shaking in her boots.
To be clear, people didn’t always necessarily think “diva” when considering Cyrus. After all, she got her start on the Disney Channel at age 14, playing the role of a goofy incognito country singer on Hannah Montana. When it came to her style during this time, Cyrus dressed like most tweens in the mid-2000s, donning skirts over pants and cropped sweaters.
When the show ended in 2011, a then 19-year-old Cyrus was fresh off her first feature film, The Last Song, and in a relationship with future husband (now ex-husband) Liam Hemsworth. She was growing up, becoming a star outside of her teeny-bopper days, and her style reflected that. During this time, Cyrus leaned into old Hollywood cues on the red carpet, wearing designers like Jenny Packham. It was soft, it was sweet, it was safe — and it didn’t necessarily have a whole lot to say.
Then came the #Bangerz years. Shortly before her split from Hemsworth in 2013, the singer chopped and bleached her hair and took to the VMAs stage with Robin Thicke and a foam finger for a performance we *all* remember. Arguably Cyrus’ most problematic era, in that she was consistently appropriating and emulating Black culture, her style during this period was defined by the shock factor, something Cyrus has said was a means to separate…
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